The delightfully deadpan heroine for the heart of “Silvia Prieto,” Argentine director Martín Rejtman’s adaptation of his personal novel in the same name, could be compared to Amélie on Xanax. Her working day-to-working day life is filled with chance interactions and a fascination with strangers, though, at 27, she’s more https://elliotpwfnw.blogkoo.com/reality-is-better-by-family-strokes-no-further-a-mystery-46286807